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Bianca Baldi

16 April – 13 June 2021

In sociology the term ‘passing’ refers to the phenomenon whereby an individual may be identified as belonging to an identity group or category outside of their own. This may include racial identity, ethnicity, social class, gender, sexual orientation, religion, age and/or disability status. Casting her lens out into the animal kingdom, artist Bianca Baldi looks to examples of creatures who use the mutability of their skin pigment as a method of passing, for the explicit purpose of self-preservation. To explore the phenomenon of ‘versipellis’ (one who changes skin or shape-shifts) Baldi presents a portrait of the cuttlefish as both a chimeric creature, and the source of sepia (a pigment often used in photography in the context of archiving) in her poignant and humorous video work Play-White. Combining personal stories and literary characters, in a study of radical transgressions, camouflage, unspoken sadness and survival, Baldi draws on historical and zoomorphic research to present a compelling meditation on perception, embodiment, self-presentation, and the aesthetic thresholds of identity.

Bianca Baldi (born 1985 in Johannesburg, South Africa) is based in Brussels. In her work she deals with the role of narrative as a means of knowledge production in both fictional and historical contexts. She is interested in the staging of identity and history and explores these themes in photography, film, writing and publishing, which she often combines in the exhibition format as installations. She obtained a Bachelor of Arts in 2007 from the Michaelis School of Fine Art in Cape Town, South Africa and completed her studies at the Städelschule in Frankfurt. Her work has been featured in large international exhibitions such as the 11th African Biennial of Photography (Bamako), the 11th Shanghai Biennale, the 8th Berlin Biennale of Contemporary Art and group exhibitions at Kunsthalle Bern, Extra City Kunsthal Antwerp, Kunstverein Braunschweig and Kunstverein Frankfurt. Recent solo exhibitions include Versipellis at Superdeals in Brussels (2018), Eyes in the Back of Your Head at Kunstverein Harburger Bahnhof (2017) and Pure Breaths at Swimming Pool in Sofia (2016).

Cameo by Bianca Baldi is co-produced by Grazer Kunstverein and Netwerk Aalst, with additional support from the Hessische Kulturstiftung and Flanders State of the art. An accompanying forthcoming publication is published by K Verlag and co-edited by Netwerk Aalst and Grazer Kunstverein.

Image courtesy of the artist